I just got home from the Cake Shop show. It was pretty good, but I am tired. I’ll post those pics tomorrow as soon as I am able. As for tomorrow, the optimal show is most definitely Harlem at Mercury Lounge. I don’t really like seeing bands there, but these guys will put on a kickass show anywhere. You’d probably be better off seeing the Austin-based group at Monster Island on Friday with Frankie & the Outs, but you might also want to go see Obits and Grey Goods on Friday, so this show is a good idea. I’m having a hard time keeping my eyes open as I write this, but Harlem play quirky guitar-drums punk tunes and they absolutely blew me away at SXSW last year. I don’t know Girls At Dawn all that well, but their MySpace sounds like they may be at least an entertaining garage-y band. My absolute favorite song off of Harlem’s album, Free Drugs ; – ) is below. They have a new record coming out soon, though.
February 9, 2010
Recommended Tuesday Show: The Beets, Christmas Island, Beach Fossils, and Total Slacker at Cake Shop
The Beets, Beach Fossils, and Total Slacker are all well-tread territory on this blog by now. I like all three of them, and they’re clawing their way out of the usual Brooklyn DIY venue (or Queens venue, as the case may be for The Beets) to play this show at Cake Shop. It’s Christmas Island, though, that makes this show extra worth going to, even if you’ve already seen the other bands a million times (even if you have, it will still be a fun show, and if you haven’t, then four good reasons to go out on a Tuesday!). Christmas Island is from San Diego and has released material on In the Red, Woodsist, Sacred Bones, and Captured Tracks, at least according to their MySpace. Their jangly garage tunes sound like a lot of other things, but they definitely fit more into the San Diego/San Francisco scene than Brooklyn, which is at least somewhat refreshing. I like the song at the end of this post, and definitely think they’re worth checking out. Also, Blair and Dinosaur Feathers are playing at Pianos, and that will also be an excellent show to see.
February 9, 2010
MP3 Roundup: Los Campesinos!, Frog Eyes, Fucked Up, Django Django, and Art Museums
Another MP3 roundup. Let’s start off with Los Campesinos! and their new album, Romance Is Boring. I don’t really like saying nice things about this band, because they weren’t too nice to two of my friends at Olde Club, but I do really like pretty much everything they’ve done. Unique sound + teenage angst = my cup of tea. I first listened to this new album while I was making dinner, curious to see if it would be a step forward for the band. With such a unique, distinct sound, it can be difficult to change without losing a sense of your narrative voice. The band hasn’t taken leaps and bounds, but Romance is definitely a more mature effort. It seems like Gareth has pulled a bit of a Craig Finn and has really started singing more on this album. The subject matter is as emo-driven as ever, but with a darker edge. There’s a pretty intense song about eating disorders, for example, and it surprisingly comes off ok instead of schlocky and overdramatic. The insanely clever lyrics are as ever present as always. When I was listening to the album and cooking dinner, one of the songs really caught my ear and I thought, “Oh! I have to use that in my next MP3 roundup!” Going back now, I can’t figure out which it was. Whatever song I first heard, it apparently hasn’t improved with multiple listens. I think it was “I Just Sighed. I Just Sighed, Just So You Know.” I like Gareth’s harsh-sounding vocals, but the Los Camps-typical boy-verse/breathy-girl-chorus thing is kind of irritating me tonight for some reason. The whole project seems slightly exhausting at this particular moment in time. So many emotions! Anyways, Los Camps have a new album out, check it out if you like their older stuff. If you’re unfamiliar, then listen to Hold On Youngster immediately and ignore this one for a few weeks.
New Frog Eyes track! Frog Eyes and any project related to Spencer Krug in any way is always a NYRM favorite (though Spencer is no longer involved with Frog Eyes). ”A Flow in a Glove” is nine minutes long, so I admit I haven’t listened to it more than twice. Still, it’s a good track with a fabulous vocal performance. Whether or not you already know and love Frog Eyes, give it a chance.
Fucked Up, the current indie kings of hard rock, released a new album last week. I have not listened to it yet, but I really love this track off of it. Great Fucked Up hardcore vocals, with some beautiful guitar sounds reminiscent of bands more mainstream punk than I usually think of Fucked Up as being. It’s all still delightfully harsh, but at the same time delightfully danceable. A really, really great guitar track.
I owe this track to Soundbites. Django Django are an unsigned band from the UK. The rhythms and unusual textures of this song draw you in, and the vocal harmonies keep you there. It could use a better build or bridge, but it’s got a very promising sound. Something cool and different from overseas, make sure to check this one out.
Art Museums is Woodsist’s latest signee, and this track has been floating around the Internet for a few weeks now. I’m not sure that it’s quite as good as everyone is raving about (goodness, it’s nothing we haven’t heard before), but the retro sound is fun and I like the band’s sense of humor. ”Why can’t we look good if we want to? Shopping.” Excellent first lyric. The song continues on with fuzzy, airy vocals for only a minute and thirty seconds longer. Not enough of a first impression for me to really decide how I feel about a band, but definitely something worth keeping our eyes on in the coming months.
MP3: “I Just Sighed. I Just SIghed, Just So You Know” – Los Campesinos!
MP3: “A Flower in a Glove” – Frog Eyes
February 7, 2010
Recommended Monday Show: Yeasayer at Bowery Ballroom
I’m recommending this show solely so I can justify spending more time looking at the above picture. Not actually, but Ira and Anand with long hair coming out of the mist is a pretty phenomenal image. Anyways, this first of two NY Yeasayer shows has been sold out for ages, but if you can manage to obtain tickets definitely go to one of the shows. Odd Blood is candy for the ears. Perhaps not as soulfully satisfying as All Hour Cymbals, but a fun masterpiece just weird enough to keep it interesting with enough hooks to capture the hearts of a broader audience. The band is wonderful live, especially with their new added percussionist. It’s worth going just to see Chris Keating’s weird, spastic hand gestures. Another track from the new album below.
February 6, 2010
Recommended Sunday Show: Golden Triangle, K Holes, and Family Trees at Union Pool
There’s not a lot of breadth to this Sunday’s happenings, but luckily this show should be more than enough to keep you happy. I saw Golden Triangle open for Thee Oh Sees a few months ago, and they are a ton of fun to watch. With many of the same members as the recently-blogged-about-here X-Ray Eyeballs, they’re an ass-shaking good time retro rock and roll band. You can’t go wrong with their rollicking, jangly tunes. I wasn’t too blown away by Family Trees at that last Death By Audio show, but they’re still worth checking out. Finally, a band called K Holes is also on the bill. I know nothing about them, but I believe they also share members with X-Ray Eyeballs and Golden Triangle. They have one song on their MySpace that is absolutely AWESOME. It’s called “Werewolf (With a Tan?).” That’s pretty much all you need to know. I can’t find it anywhere on-line so go here to listen to the track.
February 6, 2010
Photos: The Soft Pack at Cake Shop
A free show at Cake Shop with a midlevel band is clearly the recipe to an exciting night out. I arrived at Cake Shop very early, at nine, content to eat a cupcake and read my book for a few hours (probably what I would have been doing at home anyways). Turns out, the people watching was way too great to get any reading done. While Wooden Shijps leaked out of the loudspeaker, a stream of people came through Cake Shop’s doors, increasingly having to fight their way over to the door person to ask when The Soft Pack was going to go on. While the back was crowded but manageable, filled with early birds relaxing before the rush, the front of the room and the bar were more clogged than Liz Lemon’s arteries. I hear that there was a line outside, but I’d say it was already up to capacity by 11. Around midnight, they relieved us of the sardine-can effect and we all streamed downstairs, greeted by a happy-looking Soft Pack doing a quick line check. They launched right into a 45 minute-or-so set, even as people were still making their way down to Cake Shop’s basement. Much like the new album and this supposed snowstorm today, it was a fun, tight set, but no way was it going to live up to the crowded anticipation that grew upstairs. Like I said about the album, nothing new, but still a really tight set of rock songs. I was having fun, but as I looked around, everyone seemed fairly miserable. I started doubting my enjoyment of the new record. Maybe it was because we had been so packed upstairs? People were frazzled? Sure, the band isn’t exactly the most excited punk-ish act around, but they’re practiced and fun. By the end of the set, which was filled with most of the songs off of the new album, it seemed everyone had warmed up. There was some dancing and bopping along, and the band seemed like they had a good time. Was it an epic night that people will be talking about? No. I guess it had that potential, but it was just a really fun, short show for the people who managed to get there early enough to see it. Photos and my favorite song from last night below.
The Soft Pack:
February 5, 2010
Recommended Saturday Show: JEFF the Brotherhood and Screaming Females at Bowery Ballroom
The recommended show if we can make it out of our apartments, that is. Is it really going to snow that much? Who knows. If you CAN get around tomorrow night, though, I would choose this JTB and Screaming Females show. Nothing new for this blog, but I’ve been listening to JTB’s Heavy Days on constant repeat recently. It’s such a solid, hard record. Go buy it if you haven’t already. There’s a whole bunch of other bands playing that if I were a good blogger I would check out for you, but I’ve already spent way too much time posting today. Besides, these two bands would be enough for me to trudge through the snow any day.
February 5, 2010
Photos (for Impose): Atlas Sound and Memory Tapes at the Bell House
The good people over at Impose have put up some photos from the Atlas Sound show at the Bell House. While I’m ready to chuck Memory Tapes into the half-full bin of cool-but-a-bit-emotionally-boring glo-fi (or whatever) acts, I’ve never felt more strongly that Bradford Cox is a mad-scientist-genius-circus-freak walking around amongst the rest of us mortal men. I’ve never seen anyone use pedals and button-pushing, as I so tenderly call it, to such effect, turning his voice and acoustic guitar into the most wonderful, surprising, joyful, and inventive layers of sound I could ask for. Check out the photos over at Impose. And while you’re there, do make sure to check out all of their other stuff; they’ve got great taste.
February 5, 2010
Photos: Big Troubles, Twin Sister, Pigeons, Run DMT, and Alice Cohen at The Studio at Webster Hall
There’s a lot of ways to say what I’m going to say about the show last night, but I’d like to frame it around Webster Hall. There’s really no way around it. Alice Cohen, Run DMT, and Pigeons did not put on successful shows yesterday. Run DMT started off the evening as a solo act. Normally playing with a larger band, it was clear that he had never played by himself before and was incredibly nervous. His trippy, relaxed tunes might have been alright if it weren’t for the fact that, despite the very nice sound equipment at The Studio, you could not hear anything he was doing except the basic track he had already laid down. No guitar, no bass, no melodica. I don’t think that the music would have been anything particularly groundbreaking if you had been able to, but the poor kid didn’t even have a chance when he was contending with such utter sound nonsense. I will make sure to go see him again under better circumstances.
Alice Cohen played dreamy keyboard driven tunes. Definitely not anything up my alley. Maybe good to put on when you’re spacing out doing work, but it did not make for a compelling live performance. To be fair, I was coming off of an Atlas Sound show; Bradford Cox is the master of one-man-sound-noodling. But, to make matters worse, you absolutely could not hear her guitar or any of the looping she was doing. Are you kidding me? Get it together Webster Hall.
Pigeons was the first full band of the evening, and the sound didn’t get much better, though this group definitely has a lot of potential. The only track I can find floating around the Internet is a nice little psych-pop number you can hear below. Definitely peaks your interest, at least. As for their live show, the band definitely has the right look. They don’t quite have the sound yet. I’m just conjecturing here, but it seems like the singer and the second guitar player are married. I bet they play and record music all the time together at home, and decided to put together a band. They got their friends to play bass and drums, and practiced a few times. This wasn’t quite enough to make their songs transfer to a live setting. The singer/guitarist had some really interesting guitar solos, but wasn’t quite practiced enough to pull them off. The bass and drums were never quite in sync. The vocals (not the fault of the band) wavered between too loud and too soft, and I’m certain she couldn’t hear what she was singing as she struggled through the noise issues. All of these problems obscured the music they were playing, making it difficult to hear the cool, psych-y tunes of their recording in their live performance. If these guys take the time, though, and practice for just a few more months, tighten up a little bit, and gain some confidence, we could definitely have a good band in the making.
The rest of the evening was an improvement. Big Troubles and Twin Sister are more traditional bands, so the sound problems didn’t hinder their sets quite as much. Twin Sister was good, the lead singer has something about her and I could see a lot of people getting into their band (especially since they’re not doing something that everyone else is doing, pretty refreshing). I will say, though, that I didn’t care for it. Vampires With Dreaming Kids has really grown on me in a major way, but the songs sounded a little too synth-driven live, somehow a little too disco-y. I’ll still keep listening to the EP anyways.
Big Troubles are great. A shiny, loud, happy boy band with great guitar noises and short, interesting songs. They improved by leaps in bounds just in the past month since I saw them at Bruar Falls. They upped the energy and put on a show bursting with energetic personality, despite the fact that only one of their microphones worked. Expect big things from these fellows.
So what’s the moral of the story here? I’m never going to a show at The Studio at Webster Hall again, and will probably never recommend one either. It wasn’t just last night. I’ve been to the venue five times and the sound has never been right. It seems to suck the soul out of bands that might otherwise put on an excellent performance. And while I do get a kick out of seeing the juxtaposition between the partiers from upstairs waiting in the coat check line with the nerdy music fans downstairs, I just can’t bare to see another good band give a lackluster performance for reasons out of their control. I feel badly giving so many bad reviews today, but I’ll definitely try to catch all of the first bands again in a better venue. Photos and MP3 below.
Run DMT:
Alice Cohen:
Pigeons:
Big Troubles:
Twin Sister:
February 5, 2010
Recommended Friday Show (and Good New Album): The Soft Pack at Cake Shop
There are an unbelievable amount of shows going on tomorrow night. From Neon Indian, Beach Fossils, and Adventure at Market Hotel to Those Darlins and the So So Glos at Bowery Ballroom and a whole mess more. It’s a good thing there’s a lot of options, too, because otherwise this Soft Pack show at Cake Shop would 110% out of control. The Soft Pack are excellent San Diegan rockers, and it’s pretty absurd that they’re playing at Cake Shop. The show is free at midnight. I have no idea how the line is going to work or what time you’ll have to show up to get in. Maybe you can go for the early show and stay? Something tells me that’s probably not the case, though. Anyways, if you have the patience to figure this out, stay up until midnight, and fight the masses, then this is THE place to be on Friday night.
The show is the album release show for their new album, C’Mon, and I’m happy to have an occasion to write about it. It’s certainly nothing groundbreaking, but it is an all-around solid effort. I’ve been listening to it a lot a the gym: fast, snappy song after fast, snappy song. There’s nothing particularly hip or cool or of the moment about this album, which is why it comes off as so refreshing instead of just derivative. It’s not lo-fi, it’s not garage rock. It’s just a really tight rock and roll record. It can be lyrically clever, and some of the bass lines are really cool. I definitely recommend a listen or two.











































