February 7, 2010

Recommended Monday Show: Yeasayer at Bowery Ballroom

I’m recommending this show solely so I can justify spending more time looking at the above picture.  Not actually, but Ira and Anand with long hair coming out of the mist is a pretty phenomenal image.  Anyways, this first of two NY Yeasayer shows has been sold out for ages, but if you can manage to obtain tickets definitely go to one of the shows.  Odd Blood is candy for the ears.  Perhaps not as soulfully satisfying as All Hour Cymbals, but a fun masterpiece just weird enough to keep it interesting with enough hooks to capture the hearts of a broader audience.  The band is wonderful live, especially with their new added percussionist.  It’s worth going just to see Chris Keating’s weird, spastic hand gestures.  Another track from the new album below.

MP3: “Mondegreen” – Yeasayer

February 6, 2010

Recommended Sunday Show: Golden Triangle, K Holes, and Family Trees at Union Pool

There’s not a lot of breadth to this Sunday’s happenings, but luckily this show should be more than enough to keep you happy.  I saw Golden Triangle open for Thee Oh Sees a few months ago, and they are a ton of fun to watch.  With many of the same members as the recently-blogged-about-here X-Ray Eyeballs, they’re an ass-shaking good time retro rock and roll band.  You can’t go wrong with their rollicking, jangly tunes.  I wasn’t too blown away by Family Trees at that last Death By Audio show, but they’re still worth checking out.  Finally, a band called K Holes is also on the bill.  I know nothing about them, but I believe they also share members with X-Ray Eyeballs and Golden Triangle.  They have one song on their MySpace that is absolutely AWESOME.  It’s called “Werewolf (With a Tan?).”  That’s pretty much all you need to know.  I can’t find it anywhere on-line so go here to listen to the track.

MP3: “Neon Noose” – Golden Triangle

February 6, 2010

Photos: The Soft Pack at Cake Shop

A free show at Cake Shop with a midlevel band is clearly the recipe to an exciting night out.  I arrived at Cake Shop very early, at nine, content to eat a cupcake and read my book for a few hours (probably what I would have been doing at home anyways).  Turns out, the people watching was way too great to get any reading done.  While Wooden Shijps leaked out of the loudspeaker, a stream of people came through Cake Shop’s doors, increasingly having to fight their way over to the door person to ask when The Soft Pack was going to go on.  While the back was crowded but manageable, filled with early birds relaxing before the rush, the front of the room and the bar were more clogged than Liz Lemon’s arteries.  I hear that there was a line outside, but I’d say it was already up to capacity by 11.  Around midnight, they relieved us of the sardine-can effect and we all streamed downstairs, greeted by a happy-looking Soft Pack doing a quick line check.  They launched right into a 45 minute-or-so set, even as people were still making their way down to Cake Shop’s basement.  Much like the new album and this supposed snowstorm today, it was a fun, tight set, but no way was it going to live up to the crowded anticipation that grew upstairs.  Like I said about the album, nothing new, but still a really tight set of rock songs.  I was having fun, but as I looked around, everyone seemed fairly miserable.  I started doubting my enjoyment of the new record.  Maybe it was because we had been so packed upstairs?  People were frazzled?  Sure, the band isn’t exactly the most excited punk-ish act around, but they’re practiced and fun.  By the end of the set, which was filled with most of the songs off of the new album, it seemed everyone had warmed up.  There was some dancing and bopping along, and the band seemed like they had a good time.  Was it an epic night that people will be talking about?  No.  I guess it had that potential, but it was just a really fun, short show for the people who managed to get there early enough to see it.  Photos and my favorite song from last night below.

The Soft Pack:

MP3: “Answer To Yourself” – The Soft Pack

February 5, 2010

Recommended Saturday Show: JEFF the Brotherhood and Screaming Females at Bowery Ballroom

The recommended show if we can make it out of our apartments, that is.  Is it really going to snow that much?  Who knows.  If you CAN get around tomorrow night, though, I would choose this JTB and Screaming Females show.  Nothing new for this blog, but I’ve been listening to JTB’s Heavy Days on constant repeat recently.  It’s such a solid, hard record.  Go buy it if you haven’t already.  There’s a whole bunch of other bands playing that if I were a good blogger I would check out for you, but I’ve already spent way too much time posting today.  Besides, these two bands would be enough for me to trudge through the snow any day.

MP3: “Heavy Damage” – JEFF the Brotherhood

February 5, 2010

Photos (for Impose): Atlas Sound and Memory Tapes at the Bell House

The good people over at Impose have put up some photos from the Atlas Sound show at the Bell House.  While I’m ready to chuck Memory Tapes into the half-full bin of cool-but-a-bit-emotionally-boring glo-fi (or whatever) acts, I’ve never felt more strongly that Bradford Cox is a mad-scientist-genius-circus-freak walking around amongst the rest of us mortal men.  I’ve never seen anyone use pedals and button-pushing, as I so tenderly call it, to such effect, turning his voice and acoustic guitar into the most wonderful, surprising, joyful, and inventive layers of sound I could ask for. Check out the photos over at Impose. And while you’re there, do make sure to check out all of their other stuff; they’ve got great taste.

MP3: “Shelia” – Atlas Sound

February 5, 2010

Photos: Big Troubles, Twin Sister, Pigeons, Run DMT, and Alice Cohen at The Studio at Webster Hall

There’s a lot of ways to say what I’m going to say about the show last night, but I’d like to frame it around Webster Hall.  There’s really no way around it.  Alice Cohen, Run DMT, and Pigeons did not put on successful shows yesterday.  Run DMT started off the evening as a solo act.  Normally playing with a larger band, it was clear that he had never played by himself before and was incredibly nervous.  His trippy, relaxed tunes might have been alright if it weren’t for the fact that, despite the very nice sound equipment at The Studio, you could not hear anything he was doing except the basic track he had already laid down.  No guitar, no bass, no melodica.  I don’t think that the music would have been anything particularly groundbreaking if you had been able to, but the poor kid didn’t even have a chance when he was contending with such utter sound nonsense.  I will make sure to go see him again under better circumstances.

Alice Cohen played dreamy keyboard driven tunes.  Definitely not anything up my alley.  Maybe good to put on when you’re spacing out doing work, but it did not make for a compelling live performance. To be fair, I was coming off of an Atlas Sound show; Bradford Cox is the master of one-man-sound-noodling.  But, to make matters worse, you absolutely could not hear her guitar or any of the looping she was doing.  Are you kidding me?  Get it together Webster Hall.

Pigeons was the first full band of the evening, and the sound didn’t get much better, though this group definitely has a lot of potential.  The only track I can find floating around the Internet is a nice little psych-pop number you can hear below.  Definitely peaks your interest, at least.  As for their live show, the band definitely has the right look.  They don’t quite have the sound yet.  I’m just conjecturing here, but it seems like the singer and the second guitar player are married.  I bet they play and record music all the time together at home, and decided to put together a band.  They got their friends to play bass and drums, and practiced a few times.  This wasn’t quite enough to make their songs transfer to a live setting.  The singer/guitarist had some really interesting guitar solos, but wasn’t quite practiced enough to pull them off.  The bass and drums were never quite in sync.  The vocals (not the fault of the band) wavered between too loud and too soft, and I’m certain she couldn’t hear what she was singing as she struggled through the noise issues.  All of these problems obscured the music they were playing, making it difficult to hear the cool, psych-y tunes of their recording in their live performance.  If these guys take the time, though, and practice for just a few more months, tighten up a little bit, and gain some confidence, we could definitely have a good band in the making.

The rest of the evening was an improvement.  Big Troubles and Twin Sister are more traditional bands, so the sound problems didn’t hinder their sets quite as much.  Twin Sister was good, the lead singer has something about her and I could see a lot of people getting into their band (especially since they’re not doing something that everyone else is doing, pretty refreshing).  I will say, though, that I didn’t care for it.  Vampires With Dreaming Kids has really grown on me in a major way, but the songs sounded a little too synth-driven live, somehow a little too disco-y.  I’ll still keep listening to the EP anyways.

Big Troubles are great.  A shiny, loud, happy boy band with great guitar noises and short, interesting songs.  They improved by leaps in bounds just in the past month since I saw them at Bruar Falls.  They upped the energy and put on a show bursting with energetic personality, despite the fact that only one of their microphones worked.  Expect big things from these fellows.

So what’s the moral of the story here?  I’m never going to a show at The Studio at Webster Hall again, and will probably never recommend one either.  It wasn’t just last night.  I’ve been to the venue five times and the sound has never been right.  It seems to suck the soul out of bands that might otherwise put on an excellent performance.  And while I do get a kick out of seeing the juxtaposition between the partiers from upstairs waiting in the coat check line with the nerdy music fans downstairs, I just can’t bare to see another good band give a lackluster performance for reasons out of their control.  I feel badly giving so many bad reviews today, but I’ll definitely try to catch all of the first bands again in a better venue.  Photos and MP3 below.

Run DMT:

Alice Cohen:

Pigeons:

Big Troubles:

Twin Sister:

MP3: “Tendress” – Pigeons

February 5, 2010

Recommended Friday Show (and Good New Album): The Soft Pack at Cake Shop

There are an unbelievable amount of shows going on tomorrow night.  From Neon Indian, Beach Fossils, and Adventure at Market Hotel to Those Darlins and the So So Glos at Bowery Ballroom and a whole mess more.  It’s a good thing there’s a lot of options, too, because otherwise this Soft Pack show at Cake Shop would 110% out of control.  The Soft Pack are excellent San Diegan rockers, and it’s pretty absurd that they’re playing at Cake Shop.  The show is free at midnight.  I have no idea how the line is going to work or what time you’ll have to show up to get in.  Maybe you can go for the early show and stay?  Something tells me that’s probably not the case, though.  Anyways, if you have the patience to figure this out, stay up until midnight, and fight the masses, then this is THE place to be on Friday night.

The show is the album release show for their new album, C’Mon, and I’m happy to have an occasion to write about it.  It’s certainly nothing groundbreaking, but it is an all-around solid effort.  I’ve been listening to it a lot a the gym: fast, snappy song after fast, snappy song.  There’s nothing particularly hip or cool or of the moment about this album, which is why it comes off as so refreshing instead of just derivative.  It’s not lo-fi, it’s not garage rock.  It’s just a really tight rock and roll record.  It can be lyrically clever, and some of the bass lines are really cool.  I definitely recommend a listen or two.

MP3: “Pull Out” – The Soft Pack

February 4, 2010

Recommended Thursday Show: Big Troubles and Twin Sister at The Studio at Webster Hall

It’s very late and I’ve posted about both of these bands recently, so let’s consider this a post about Chocolate Bobka (link to the right).  This show tomorrow is curated by Chocolate Bobka, and I personally think he has the most exciting up-and-coming music blog right now.  The guy’s taste is impeccable (though sometimes runs a tad too much on the dreamy/hazy noise side for me), and he’s doing so much cool stuff.  The coolest of which is this magazine/mixtape/video compilation he’s putting out.  Basically, he raised a bunch of money in order to create the coolest ‘zine this side of 1999, and is now going to make each of them individually, but will only make as many as are pre-ordered.  So head on over to this blog and sign up for your copy today!  Also, come to this show tomorrow and say hi in person.  I just talked about how cool I think Twin Sister is and all the reviews are coming in positive- tomorrow will be the first time I’m seeing them myself.  Big Troubles is another scuzzy garage Brooklyn band, but I thought they had some really promising songs at Bruar Falls a few weeks ago (but needed a little work on the stage presence).  Should be a good show.

MP3: “Wouldn’t Mind” – Big Troubles

February 4, 2010

Photos: Blair and Oberhofer at Pianos

When Blair (both the name of the band and the name of the singer/songwriter) took to the stage last night at Pianos, an overwhelming sense of familiarity seeped into the room.  I knew I knew her from somewhere, but couldn’t quite place her.  Did my band play with their band some time?  Had I seen her at a party?  It wasn’t until the end of the evening when she came up to me and asked me if she knew me did we figure out that our distant, brief meeting had taken place for just a few hours last August Brooklyn afternoon at a professional affair of sorts.  Simple acquaintances.  That’s almost a fitting analogy for Blair’s performance last night.  The music was nothing new, or perhaps even all that interesting.  Derivative of a million things, you might (mistakenly) pass many of the songs over if you heard them recorded. But there’s something special about this girl and her band.  The sound, despite its rock simplicity, has a shiny, hopeful feel to it that makes it completely unique.  I felt I was really getting a secret look into Blair’s particular life perspective during her set.  Plus, a few of the songs are real gems.  ”Hello, Halo,” of course.  But “Die Young” is also a sad, shimmery rocker.  ”Candy In the Kitchen” is delightful and has a verifiable radio-friendly hook that involves Whitney Houston.  I suppose I can’t say I was blown away by this band, but I was quietly and deeply impressed.

It was a good night at Pianos.  Oberhofer is something special, as well.  Once the solo project of Brad Oberhofer, now his full-fledged New York band (via Tacoma), it will only be a matter of time until the blogosphere turns Oberhofer guys into teenage buzz pulp.  These guys are going to get compared a lot to Surfer Blood and The Smith Westerns, if only because of their age.  They sound more like the latter, and frankly, Mr. Brad Oberhofer looks like a petit 19-year-old version Joseph Gordon Levitt.  An indie-rock-heartthrob in the making.  They were all shockingly young, brandishing big black X’s on each of their hands, which reflected itself in their performance in the best ways.  All clearly very adept at their instruments, you could still tell nerves and excitement were wreaking havoc with various tempos and strumming patterns.  This made the entire performance feel all the more exciting, not sloppy as you might imagine.  Oberhofer’s lead vocal performance was also incredibly strong and unique.  With songs that meander between time signatures, riffy guitar parts, and sparkling synth lines, the music wavers between deceptively simple and actually simple, but this is overshadowed by sheer exuberance of youth and exploring exactly what a rock song can do.  They seem to be aware of how young they are.  This is the about me on their MySpace:

“When your songs are too big to be contained: form a band. Maybe call it after your family name because you like the way it sounds (shit, if it worked for Bon Jovi then who’s to argue). Record those songs in the basement of your parents house in Tacoma. When that burns down, shake it off and move to New York. Find a new band to play with, start working on a symphony (no really, do it), mix your newfound formal training with the noisy exuberance of youth. Get raucous.”

Being aware of your youth is kind of a weird thing, but Oberhofer seems to celebrate it in exactly the right ways.  Back to the Surfer Blood reference, for instance.  This band will grow and they will get compared to Surfer Blood all the time because of their age, I think.  Where Surfer Blood is a Weezer-influenced band of mature prepsters looking like they’ve gotten to the point that they have because they knew how to do their homework in high school, Oberhofer is the guy in the hoodie in the back of homeroom, getting a detention for smoking pot in the senior parking lot before school.  Which guy would you rather go out with?  Exactly.  Seriously, the bass player looked like he was gonna get in trouble for not doing his homework the next day, because he was out gigging with his band.  The second guitar player was so slight and petit that I was afraid he would entirely disappear, leaving behind only an impressively full mountain-man beard.  Young people making music is SO exciting, because there’s just more hope of possibility in that music.  I’d much rather see and listen to a band like Oberhofer than a polished and well-conceived one like Surfer Blood.  The songs are a little less clean and easy but 100 times more fun.  Comparison aside, I am very, very excited about this band.  They’re playing a show on Friday.  Definitely make it out if you can.

Blair:

Oberhofer:

MP3: “Haus” – Oberhofer

MP3: “Candy In The Kitchen” – Blair

February 3, 2010

Recommended Wednesday Show: Atlas Sound and Memory Tapes at The Bell House

I get a little giddy every time I think about Bradford Cox.  He’s such a genius-character figure.  Love him or hate him, you can’t deny that the guy’s got a very unique perspective going on that he can apparently always translate into music.  Like a mature, developed novelist, Cox really has a distinct voice, and I love how it’s expressed in Atlas Sound.  Of course the last album was pretty good (didn’t quite make my Favorite 50 of 2009, but close), but I really love the Rough Trade EP that he was selling on his last tour (check out an MP3 from that EP below).  I’m excited for this show because I accidentally bought tickets to his last show during CMJ and ended up being too tired to stick it out.  Memory Tapes I feel ok about.  Out of all the dream-wave-whatever bands they’re one of the more tolerable ones.  I’d definitely rather see Memory Tapes than Neon Indian again, who Atlas Sound is playing with at NYU’s Kimmel Center on Thursday.  Then again, the excellent garage twosome Sisters is also playing that show, so tough call on which night to catch Atlas Sound.  My vote is still at the Bell House.

MP3: “Plain Material” – Memory Tapes

MP3: “Ruben (Traditional)” – Atlas Sound